Tuesday, 14 October 2014


"Nothing can go wrogn!"
Year:  1986
Country:  Netherlands
City:  Amsterdam
Label:  Alternative Tentacles
Format:  CD
Tracks:  16
Time:  45 min.
Genre:  rock
Style:     Hardcore     Punk

The band were named after a Dutch historical figure named Balthasar Gerards, who assassinated the king of the Netherlands in 1584. "Balthasar Gerards Kommando" were formed in the early 1980s by members of punk band The Nitwitz (also from Amsterdam, the Netherlands).  Rejecting the then-popular trend to emulate British Oi bands, BGK took their musical cues from American hardcore bands such as MDC, and soon developed an ultrafast style of their own. The band was also committed to following through with its leftist political stance, both in terms of the punk scene (the band set up DIY shows with low door prices, and put out affordable records on their own label) and in a wider political spectrum (they often played benefits for various causes, and helped run the Emma squat in Holland). BGK released all their records on a label they started in their Nitwitz days, Vögelspin, and collaborated with U.S. labels R Radical and Alternative Tentacles. They helped touring bands playing in the Netherlands, and themselves toured Europe and the U.S. several times, finally calling it quits in 1987.  After BGK’s demise, bassist Tony formed rock’n’roll band Loveslug. In 1996, the Nitwitz reunited (partially due to interest from Epitaph Records). Alternative Tentacles has recently reissued BGK’s entire catalog, both on vinyl and CD.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Web   ,   Facebook   ,   Myspace    



Monday, 6 October 2014


http://graphics.crucialattack.nl/covers/Dag_Nasty_-_Can_I_Say-LP.jpg"Can I say?"
Year:  1986
Country:  US
City:  Washington
Label:  Dischord
Format:  CD , LP
Tracks:  16
Time:  35 min.
Genre:  rock
Style:     Pop     Punk     Hardcore

Brian Baker, formerly of Minor Threat, formed DAG NASTY with Colin Sears, Roger Marbury and Shawn Brown in 1985 Shortly Before the recording of Their debut full-length, "Can I Say", where members Shawn Was Replaced by former frontman dys Dave Smalley, kicking off a revolving door membership thatâ would continue throughout the duration of the band, ultimately leavin Brian as the only original member. Recorded DAG NASTY "Can I Say" in June 1986 and "Wig Out ​​at Denkos" in December 1987 for Dischord Records Before moving to Giant Records for the release of "Field Day" in 1988. The "Can I Say" Reformed line-up in 1992 to record "Four on the Floor" for Epitaph and again in 2002 to record a full-length for Revelation Records. In November 2010 Dischord released the long shelved "Dag With Shawn" recording session, featuring the original line-up with DAG NASTY Shawn Brown where vowels. This is essentially the Same album that was later re-recorded and released as "Can I Say". Essential album.
Discogs   ,   Lastfm   ,   Bandcamp   ,   Web   ,   Facebook   ,   Myspace   ,   Dischord Records    ,    Spotify   

Picture of Dag Nasty


http://artverses.com/10listens/bluetipjoinus.gif"Join us"
Year:  1998
Country:  US
City:  Washington
Label:  Dischord
Format:  CD , LP
Tracks:  12
Time:  36
Genre:  rock
Style:   Post Hardcore     Emo

SWIZ was one of the most popular bands in the younger and small Washington DC hardcore scene of the late 80s. Their singer, Shawn Brown, had been the original DAG NASTY vocalist, and they were on the "Sammich Records" label, which was distributed by "Dischord Records". In 1995, several years after SWIZ broke up, former members Jason Farrell and Dave Stern reunited to form BLUETIP, with bassist Jake Kump and drummer Zac Eller (Worlds Collide). BLUETIP had a serious work-ethic, they released 3 albums on "Dischord Records", as well as several singles and split releases on various labels, and toured relentlessly, making many trips through the US, Europe and Japan. Inner-band turmoil resulted in a number of line–up changes. Zac left shortly after the release of their first album, "Dischord No. 101", and was eventually replaced by Dave Bryson. Dave Stern left after the release of "Join Us" and was replaced by Brian Clancy, leaving Jason and Jake as the only original members. In 2001, when Jason moved to New York, the band eventually folded. However, Jason quickly resurfaced and has continued playing under the name RETISONIC. Essential post-hardcore album.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Facebook   ,   Myspace   ,   Dischord Records    

Sunday, 5 October 2014


"1936 the spanish Revolution"
Year:   1986
Country:   Netherlands
City:   Amsterdam
Format:  EP
Tracks:  4
Time:  12 min.
Lyrical themes:  anarchism , pacifism
Genre:  rock
Style:    Punk

Dutch band, formed in 1979 in Amsterdam. Initially an anarcho-punk band but over the years they incorporated many different musical styles such as jazz, noise, free improvisation, ethnic/world music. Playing an hybrid of punk to advance their liberal socialist agenda (serving as the rough equivalent of a Dutch Crass), the Ex put out reams of records and propaganda during the '80s - each released on a different Dutch label -- but in the '90s began to embrace industrial forms of percussion and improvisation more in line with Einstürzende Neubauten and Test Dept. After 35 years, more than 25 albums and around 1800 performances the band continues to work as they did in when they began, completely independent of record companies, managers or roadies.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Wikipedia   ,   Web   ,   Facebook   ,   Soundcloud   ,   Ex Records   ,   Myspace   

Tuesday, 16 September 2014


The ‎London Punkharmonic Orchestra – Classical Punk! CD.  Killer orchestral cover versions of classic punk songs!!"Symphony of destruction"
Year:  1998
Country:  UK
City:  London
Artist:  The London Phylarmonic Orchestra
Label:  Music club
Format:  CD
Tracks:  20
Time:  67 min.
Genre:  classical
Style:    Modern Classical

It is obvious that what you hear is an important part of your personality, even if you are reading this blog. Thus, even if some connect button "they do not like me, I do not care" when they come out to stroll around the corner, in general usually smile when we see someone with a shirt Clash roaming the streets. It is natural, if not externemos feeling. Punk is the ugly child of the rock, even though, ironically, was the one who came to rescue him. And I say that not just the story of the old disco and (gulp!) Yes and Pink Floyd. I speak mainly of the direct discourse around youth, where Chuck Berry portrayed the feelings of young people who, thanks to the conditions created by the post-war period, for the first time could be considered a group. Went away, but come back. Although everyone who left the 77 generation had the right to prosecute most of these bandinhas unsalted and compound names pathetic (my "favorite" is clap your hands say yeah), there is, as I say, a hole in the discography the majority of fans (one more!) she wants revenge. The Beatles they jump smiths and joy division ... Ok, ok. No accounting for taste and are not required consistency. But when there is a rule, do not ask me to be quiet. Can not. Deserves study. It is clear that Punk has a bad reputation. That is undeniable. And what most bands do today is clean up the bad part. Enjoy the musical structure (who grew up) and the visual, but giving that guy from the 2000s and it is clear that an electronic pat will not bother anyone. Today, I have the impression of hearing the riff of "Inside Out" from 999 in many, many songs ... Thus, as I have a fondness for Punk bands, I get that feeling of injustice. And this disc that accompanies this post helps to worsen the story. Come on, do not speak of "Holiday in Cambodia" because of all that surrounded the Dead Kennedys, but it is unbelievable that a song like "Babylon's Burning" has had as best placement on the charts a seventh miserable place on June 79 and then descended downhill. No, never asked for anything like "Bad" from Michael Jackson. But, after all, who knows Ruts? Hear these versions proves the beauty of the melodies. But perhaps the fact that here in our little world anyone know or like these bands makes them more special. They become ours.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Music Club Records        


Monday, 15 September 2014


http://991.com/newgallery/The-101ers-Letsagetabitarock-598670.jpg "Lets a get a bit a rockin"
Year:  1974
Country:  UK
City:  London
Label:  Astralwerks rec.
Format:  CD
Tracks:  18
Time:  56 min.
Genre:  rock
Style:    Rock & Roll

The 101’ers were a pub rock band from the 1970s, notable as being the band that gave Joe Strummer (later of The Clash) his initial start as a musician. Formed in London in May 1974, the 101’ers made their performing debut on 6 September at the Telegraph pub in Brixton under the name El Huaso and the 101 All Stars. The name would later be shortened to the 101 All Stars and finally just the 101’ers. The group established itself on the London pub rock circuit prior to the advent of punk. The group was named for the squat where they lived together: 101 Walterton Road, Maida Vale, although it was for a time rumoured that they were named for “Room 101”, the infamous torture room in George Orwell’s novel 1984. The novel was later to become something of a manifesto for the political element of the punk rock movement.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Facebook   ,    Myspace   ,   Wikipedia     ,     More Free Downloads    ,   Astralwerks Records       



Sunday, 14 September 2014


"Why not?"
Year:  2008
Country:  Germany
City:  Hamburg
Label:  Tapete rec.
Format:  CD , LP
Tracks:  14
Time:  45 min.
Genre:  rock
Style:    Mod    Soul    Punk

MOD band started in 1998 in Hamburg (Germany). The band has recorded 6 long albums plus 8 ep’s, and frequently they make their releases in CD and Vinyl format. The musical style is a mix between Mod, Punk, Soul and other musical styles from 60’s decade. Their debut album "A bisserl was geht immer" (on "Fidel Bastro Records) was released in 1999. After several albums more it was the turn of this "Why not?", a disk which many people is confused with punk-rock bands ("superpunk", the policeman on the cover, etc.) but which demonstrate us how these people make high energy and fast Mod sounds like british 1979 bands (The Jam, Lambrettas, Nine Below Zero, etc.). The ortodhox Mods don´t considered SUPERPUNK as a "mod band" but there is no punk who consider the band as a "punk band". So? what is its adjective? how to describe them and their sound? everybody can to listen to them and to judge itselves. Me, I can simply I like them. No more.
  Discogs   ,   Lastfm   ,   Bandcamp   ,   Wikipedia   ,   Web   ,   Facebook   ,   Myspace    ,   Fidel Bastro Records   ,   Tapete Records